Learning Some Freedom

still image 2010, HD- video 20:40 min.

Caveman video’s starting point was a colourful ski vest. The installation, built in one day, was documented with photography and video. The material was then compiled into an animation.

still image 2010, HD- video 20:40 min.

Caveman video’s starting point was a colourful ski vest. The installation, built in one day, was documented with photography and video. The material was then compiled into an animation.

 still image 2010, HD- video 20:40 min.

Caveman video’s starting point was a colourful ski vest. The installation, built in one day, was documented with photography and video. The material was then compiled into an animation.

 still image 2010, HD- video 20:40 min.

Caveman video’s starting point was a colourful ski vest. The installation, built in one day, was documented with photography and video. The material was then compiled into an animation.

I realised a series of quick installations, each made in approximately one day and constructed in a white room measuring 8-square meters. The starting point varied anywhere from an object to a natural element and to a news image. 

I realised a series of quick installations, each made in approximately one day and constructed in a white room measuring 8-square meters. The starting point varied anywhere from an object to a natural element and to a news image. 

serie of photographs mounted to the the aluminium

serie of photographs mounted to the the aluminium

serie of photographs mounted to the the aluminium

serie of photographs mounted to the the aluminium

serie of photographs mounted to the the aluminium

serie of photographs mounted to the the aluminium

serie of photographs mounted to the the aluminium

serie of photographs mounted to the the aluminium

Room and corridor build for the installation, mixed media

I built a room in the gallery space. The room hid an artwork made out of an abundance of material. Although the work was large, it was physically unattainable; it kept itself hidden. The installation could only be seen through a reflection.  The body of the work, its physical parameters, took a substantial amount of space, but for the viewer the work was only shown as a 130 cm wide image in a mirror. The starting points for the work were three pairings: Material vs. immateriality, improvisation vs. decisiveness and form, and large-scale vs. restricted point of view. 

Room and corridor build for the installation, mixed media

size variable, mirror 130cm

Room and corridor build for the installation, mixed media

size variable, mirror 130cm

I built a room in the gallery space. The room hid an artwork made out of an abundance of material. Although the work was large, it was physically unattainable; it kept itself hidden. The installation could only be seen through a reflection.  The body of the work, its physical parameters, took a substantial amount of space, but for the viewer the work was only shown as a 130 cm wide image in a mirror. The starting points for the work were three pairings: Material vs. immateriality, improvisation vs. decisiveness and form, and large-scale vs. restricted point of view.